©    Janet Iffland-Stettner

                                                                                                                                                                                                      © Janet Iffland-Stettner


Born November 7 - in Brooklyn, New York (twin)of Austrian immigrant parents.


Educated in Brooklyn. Attends Abraham Lincoln High School.

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Self-Portrait, Age 15


Decides to be a photographer after seeing photographs by Stieglitz and Weegee. Parents offer him a Box Brownie.

Early photographic journal from first class in Photo League, February 9, 1939


Joins the Photo League. Takes course in basic technique. Only photography lessons ever taken. Works in the cabinet workshop run by his father. Meanwhile photographs with a 20x25 and an Ikkoflex. Encouraged by Steiglitz and Paul Strand. Begins lifelong practice of always printing his own work in the darkroom.


At eighteen enlists in the US Army in the Signal Corp asking to be trained as a combat photographer. Sent as a military student engineer to Princeton University.

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Army Combat Photographer ca. 1943


Signal Core Repairman, Crowder Missouri, and Signal Core Photographic Darkroom, Long Island City.


Combat photographer sent first to New Guinea where attached to invasion fleet going to island of Mindoro. Next assignment with the 32nd infantry division fighting in mountains of Bagio, Luzon, Philippines.  Eventually sent to Japan after armistice arriving in Hiroshima. Discharged from army in December of 1945.


Returns to New York. Rejoins the Photo League where he teaches basic course (1947). Becomes friend of Sid Grossman. Meets Weegee for first time. Photographs New York including the Subway Series


Leaves for a three week trip to France and remains five years, living in Paris. Receives a commission from the Photo League to gather prints from significant French photographers and organizes the first exhibition of contemporary French photography in the United States at the League’s gallery (1948)  including  work of  Brassai, Izis, Boubat, Doisneau, Ronis, Masclet, etc. On going friendship with Brassai, who is his maitre, and Edouard Boubat.

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Paris, ca. 1948


First exhibits in Salon des Independents, Bibliotheque Nationale. First photographs published: Ten Photographs by Louis Stettner, Introduction by Brassai.

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First publication of photographs of Paris and New York, 1949

Prize winner in Life’s Young Photographers Contest. Reconnects with Paul Strand.


Completes studies in cinema at IDHEC, Paris University.  Photographs Paris continually during this period.


Returns to the United States.


Photographs New York and works as freelance photographer for Life, Time. Fortune. Paris-Match, Realities, National Geographic  as well as advertising firms in US and Europe. Also photographed for Marshall Plan but fired after visit from FBI for not revealing political views of Photo League members.

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Periodic trips to photograph Paris, Greece, Spain, Portugal, Holland and Mexico.

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Pepe and Tony, Ibiza, Spain, 1956 © Louis Stettner


Pepe and Tony, Spanish Fishermen Series, Ibiza, Spain


Creative Photography fellowships at Yaddo, Saratoga Springs, New York. Meets Saul Bellow.


Saratoga Springs, 1956-57, © Louis Stettner


Nancy, The Beatnik Generation, NY 1958 © Louis Stettner


Nancy: The Beatnik Generation Series, Greenwich Village

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Penn Station, 1958 © Louis Stettner


Penn Station Series

1958 -62

Works freelance in Paris. Chief photographer with Havas for a year.


Photo-journalist for MD Magazine, New York.


Writes a monthly feature first entitled “Speaking Out” and then “A Humanist View” for Camera 35 offering personal views as well as a reflection of cross-currents of photography in the Seventies.

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Worker, Bingo Factory, ca. 1972-74 © Louis Stettner


Workers Series. Receives a National Endowment for the Arts Grant for his series on Workers (’74 Ceases to collaborate with press and advertising agencies).


Professor of Photography at CW Post Center, Long Island University.  (’76 -  Lectures at ICP, New York and at Bennington College Vermont).

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Teaching Photography at CW Post, Long Island Univeristy


Awarded First Prize, Pravda World Contest. Travels six weeks photographing in the Soviet Union.


Edits book Weegee the Famous. Begins taking photographs of landscapes (Montana, Wyoming, New York, France).


Concentrates on personal creative work. Produces a number of series including Still Lifes (1983/84); Cityscapes (1985); The Manhattan Trilogy: On the Bowery (1986), Lower Manhattan (1987/88), and Midtown; Brooklyn Bridge (1988); Manhattan Walls (1990); Pavement (1990); Nature, Nudes, and Portraits.


Returns to France permanently to photograph, paint, and sculpt in Saint-Ouen (Seine Saint Denis).


Works on several series of assemblage and photography : Marche aux Puces, Croissants, Heros du Metro, and Tetes du Louvre while continuing to photograph Paris.


Chrysler Building from Times Square, 2004 © Louis Stettner

1998 - 2016

Begins to photograph New York shooting color film during summer visits. Completes the Manhattan Pastoral Series. Continues to photograph Paris.

Also paints, draws, and makes bronze sculpture.

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@ Samuel Kirszenbaum


Receives the medal of the Chevalier de l’ordre des Arts et des Lettres in France.

"Retrospective”, Bibliothèque Nationale de France, Paris

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Photographing in the Alpilles, 2014


Photographs his last series, The Alpilles, in Provence using an 8x10” Deardorff  large format field camera.



“Ici Ailleurs” Exhibition, Centre Pompidou, Paris.

Dies in Paris on October 13 at the age of ninety-three.